In recent years, the collection of embroidery has been climbing

The embroidery is one of the traditional folk crafts in China. It has a history of at least two or three thousand years in China. On satin, fabrics and modern fabrics, we use silk, velvet, cotton and other colorful lines to fly up and down with a small steel needle to form beautiful images, patterns or texts. The history of arts and crafts occupies an important position. However, compared with the long history of inheritance, the domestic textile embroidery collection market is only at the initial stage. One of the most important reasons is that many fine embroidery products have flowed overseas and have not been preserved in the Mainland, so the current market development is slow.

According to the manager of Dai Yong, an auction company of Beijing Yongle Auction Co., Ltd., weaving embroidery is already a relatively mature category in overseas markets. Although the time of the auction was relatively late, the transaction price increase was quite alarming. Embroidery prices generally appeared around the year 1994. The early involvements were mainly in the Hong Kong and Taiwan regions and overseas collectors. After 1996, they went to the mainland.

After examining the records of auctions over the years, it is not difficult to find that in the late 1990s, the prices of fine-quality embroidery products on auctions were between 1 million and 2 million yuan. At that time, the record of the transaction was a piece of “Emperor's Embroidery Immemorial Buddha Image” during the Qing Dynasty Qianlong Period. In 1999, it was sold for HK$2.11 million in Hong Kong Christie’s Spring Auction. In the same year, more than one million yuan of stitched embroidery products appeared in the Beijing market.

The domestic market pays attention to the value revaluation In the 2011 auction market, tapestry, embroidery, and silk reeling have become the “three main forces” in the field of embroidery and auction. Quilting art market started quietly.

“Although embroidery is not a major category, collectors are very much sought after, and prices are rising very fast,” said Dai Xin. For example, in Beijing Hanhai Spring Filming in 2004, a piece of silver silk blanket made by Qing Qianlong was sold to the buyer by 352,000 yuan. Similarly, in the Spring Festival of China's Guardian in 2004, a silk embroidery "King's Replenishment and End-of-the-Site Exhibit of Shih Lan Ting Tuttling's Full Volume" was astronomical with a price of 35.75 million yuan. In 2005, China Guardian’s spring auction also launched a special sale of embroidery products. One of the 2×1.2-meter embroidery works “Yutang Spring” had an auction price of 980,000 yuan, while the other lacked the collar, sleeves and sleeves. Such as accessories Yongzheng is "embroidered yellow dragon gold satin embroidered robes", the transaction price is as high as 693,000 yuan.

The collection of embroidery is now increasingly aware of the artistic value and value of embroidery, and the collection of embroidery must first be learned and appreciated. Compared with other categories of collections, weaving embroiders are more complicated because of their genre and variety.

From a variety point of view, there are varieties of woven and embroidered materials such as embroidery, silk, and brocade. The value of silk is highest, followed by embroidery and brocade. If viewed from the use of embroidery, the value of art appreciation products is higher than that of embroidery. Daily real products, finished products are higher than semi-finished products; from an artistic point of view, the palace art weaving embroidery than the folk literati style of artistic embroidery.

Silk embroidery is a kind of culture. Like porcelain paintings, it belongs to art. Many collectors today have realized the artistic value and collection value of embroidery products. In the past two years, the space for appreciation of embroidery has been faster than that of porcelain and calligraphy.

From the point of view of the collection, the earlier the value of the embroidery products, the higher the value. However, since it is not easy to preserve, the textile embroidery after thousands of years of baptism remains intact. The Ming Dynasty was very rare, and there were more Qing Dynasty. Among them, the collections of Qing Emperor Kangxi, Yongzheng and Qianlong Periods were the best. Although the current price of embroidery products has continued to rise, compared with artworks such as porcelain, jade articles, and paintings and calligraphy, market transactions have been relatively cool. Many embroidery products are still under pressure in some large families. So there is a greater chance of getting genuine products on the market and prices are relatively low.

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