Recently, a story has been circulating in the collection circle: At an international jewellery show at the end of last year, an old Polish woman complained that she had been doing amber business for more than 20 years. Now she feels that she can’t do it because the Chinese came in. A lot of cash, almost bought the world's quality raw materials. After listening to this story, I couldn’t help but have a chance. These European gems, who have always had some superiority in the nobility complex, have been accidentally attacked by the Chinese “local tyrantsâ€, not only smashing the guests but also winning the Lord. And more than just a case of amber, in fact, Chinese collectors are often very collectible for a variety of outstanding materials, including a variety of precious jade, all kinds of precious wood.
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Emotion, and yet to think of Shoushan stone. There is a debate in the Shoushan Stone industry for many years. It is said that the current market of Shoushan Stone only pays attention to materials, materials are good, everything is not good, no matter how good the process is, no one cares, resulting in the price of raw materials and finished products upside down, "flour" than " Bread is still expensive, and it is a typical "selling body and not selling art." Therefore, many Shoushan stone sculptors, critics and collectors have called for it to be unrecognizable. However, the disease is still blamed, but the market is still doing its own thing, still "only on the material theory of heroes", which is somewhat puzzling, is it to adapt to the market choices, or to listen to the advice of these scholars?
In fact, this issue has been confirmed in the academic world. National jade carving master Maxue Wu said: "The first is the reward jade, followed by tours and carved eagle can not because of overwhelming destruction of the jade unique charm.." He believes that without a jade carving of course "not a device", however, excessive carving It will also lose the true color of jade itself. Farther back, modern scholars Mr. Zhang Hong-chiu, "Stone Ya" in his book: "The ancients distinguish jade, the first time the German character", "first Qin Guide is not your character." In other words, since ancient times, in the aesthetic for jade is always the "virtue" in the first place, and "character" is secondary. "De" refers to texture, there's no controversy; however, for the "character" of understanding, collectors will have a different point of view. Some people think that it is color, but from the interpretation of the word "fu", there is no meaning of color, so some people think that "fu" refers to the shape, ornaments, symbols, etc., but whether it is color or craft, it is relative to in terms of internal texture. As far as Shoushan Stone is concerned, its "German" is nothing more than six kinds of "warm, condensate, fine, knot, moist, greasy", all of which describe the inner texture.
Of course, not all varieties of Shoushan Stone can be prepared by the six virtues. Only the "Stone Emperor" Tianhuang has this glory. However, when selecting the various varieties of Shoushan Stone, people still use the six virtues as the standard to judge the material of Shoushan Stone one by one. . The reason for this is that the only thing that is “German†achieves a higher grade, and the stone quality is good enough to ensure that the stone itself is firm and not cracked, and will not be destroyed by time, which is called “the so-called†"Eternality", this is also the primary criterion for judging treasures in Chinese history and the pursuit of goals. Imagine that if the material is "lost" and there is only a fleeting moment of beauty, then what is the meaning of the collection? This has been recognized by people as early as the Shang and Zhou dynasties. We often see similar "children" on bronze. The inscription of the inscription by Sun Yongbao, the descendant of Sun Yongbao, is not a hollow and nothing. It expresses the strong desire of the author to spread the power and wealth represented by the bronze to the later generations, but not the perishable bronze material. , has become the ideal carrier. By analogy, whether it is used for ritual rituals or for burial, in addition to bronze, gold and silver jade, or porcelain ivory, most of the materials that can be passed on forever, regardless of the material Whether it is civilization or wealth, the eternal material means the eternity of the things that bear. Good material is the basis of inheritance, which is one of the important reasons for the ancient Chinese to pursue materials.
If the "coag" and "knot" in the "Six-German" standard of Shoushan Stone fully express the pursuit of material "eternality" in the traditional collection, then "warm, moist, fine, greasy" is more about the aesthetic of materials. The judgment of value. The moisturizing view, the tentacles and the warmth, the delicate texture of the skin, the unique material aesthetic trend. This kind of aesthetic interest has nothing to do with the art of carving, but also has nothing to do with the art of engraving. It can be tasted purely from natural stone, which makes people feel comfortable. "Huainanzi said Lin Xun" said: "White jade is not awkward, the beauty of the pearl is not long, the quality is more than enough." Things are not fake, it is naturally beautiful. From this point of view, the beauty of material represents the beauty of nature and tranquility, representing the realm of "the person to the world, the beauty of the original world" that Zhuangzi respects. The so-called "great beauty is also the beauty of the over-the-counter." This beauty comes from nature and is also natural, and it is infinite. This beauty exists in nature and inaction, without the need for artificial decoration. The beauty of heaven and earth is self-contained: "The heavens and the earth are wrapped, the yin and yang are vomiting, the rain is exposed, the metamorphosis is all things, the Yaobi jade beads, the jadeite, the wencai bright, the moist If you don't, you don't play, you don't have to be jealous for a long time, you can't travel, and Luban can't make it. This is a big deal."
The same is true of Shoushan Stone, and people can appreciate the enthusiasm of nature from the perception of Shoushan Stone material and the warm and delicate feeling of Shoushan Stone. This is not just this Shoushan Stone. The beauty of the individual, the person with the heart can even appreciate the deep and unselfish beauty of the land that has nourished the Shoushan Stone for a long time. Everything between man and nature has a soul, and the communication of the soul lies in the interaction between man and natural material. This is why people in the traditional collection concept are particularly respected for natural things. The essence of beauty lies in "Faith is returning to the truth" - Lao Zhuang's theory largely influences the traditional aesthetic orientation of China, and makes people admire the natural beauty of not artificial. Working with nature has become a fine tradition of Chinese art. “Clear water comes out of hibiscus, and it is naturally carved.†While people are interested in the taste of materials, they also feel another beauty that is completely different from the art of carving. This kind of beauty is never replaced by human beings and can never be surpassed. It can not only trigger people's aesthetic feelings independently, but also collide with artificial carvings to produce an unforgettable impression.
When it comes to the turbulent collision between natural materials and artificial art creation, it has to be said that another important reason for the Shoushan Stone Collection to respect materials is that good materials also help to stimulate the artist's creative inspiration and artistic intuition. Art is the unity of subjective and objective. The reason why nature is beautiful is that it can evoke the corresponding aesthetic associations, "the immediate view of the heart" and "the feelings of the emotions." The beautiful material “beautiful and touching†touches the artist's feelings or matches the artist's momentary inspiration to promote the artist's creation. This kind of emotional triggering can only be created by good materials. If it is inferior, it lacks aesthetics or even disgusting materials, and it is impossible to inspire good creative inspiration. In addition, good materials help to more fully express the art of carving itself. The difference in the subtle texture of Shoushan Stone material can bring out different artistic styles.
For example, the heavy texture is easy to express the facial features of the characters;
The slightly transparent texture of the crystal jelly is easy to express delicate details;
The faint pure color can set off the dignified atmosphere of Bogu's still life;
The vivid color of the fresh jump can reflect the delicate and pretty of the folded flowers.
There are also Shoushan Stones, which are called pretty colors, with strong contrasts in color and texture. They are also excellent materials in stone sculpture.
There are also many excellent artists who will select some materials that are often overlooked by others in order to express special artistic effects, and even focus on long-term selection of a certain stone type to create a unified, series style of their works.
It can be seen that the importance of the material, whether it is the inheritance meaning it represents or the aesthetic meaning it contains, cannot be replaced by labor. This is the natural treasure given by the heavens and the earth, beyond any skill can bring The artistic value is the eternal beauty of the world. We are arguing with the question of who is the first and the "art", it is better to discuss how to cherish these treasures, and because of the misunderstanding of the mediocrity, it is regrettable.
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